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Manifesto

Read the complete Visioneca Manifesto 
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Visioneca is a festival of experimental film and new media which will create an awareness of the diversity and scope of moving image developments by featuring some of the most innovative and creative artists, film-makers and designers working today.

We hope to introduce new work to as wide a range of people as possible and to inspire and introduce our audiences to modes of expression and techniques in moving image that perhaps they never knew existed.

Visioneca will be an entertaining and informative introduction to a much wider range of creativity than is generally available in the mass media and blockbuster movie genres on TV and in film theatres.

Our short film sessions will demonstrate that it is possible to produce expressive work as an independent film-maker who isn’t funded by a multi-million pound budget, or working for a major studio.

There is an alternative and diverse creative sector that thrives outside the mass market - come see for yourself.

Visioneca venue

Visioneca venue
for website & booking see Conact us & venue section above

Satsangi played a 30 min accoustic set

Freshwater Bay

Freshwater Bay

Blog Archive

  • ▼  2013 (1)
    • ▼  March (1)
      • MIST
  • ►  2012 (6)
    • ►  November (2)
    • ►  September (1)
    • ►  July (1)
    • ►  June (1)
    • ►  March (1)
  • ►  2011 (5)
    • ►  December (1)
    • ►  November (2)
    • ►  October (2)

Paul Windridge organised Saturday Visioneca

Paul Windridge organised Saturday Visioneca
click on the image to visit paulwindridge.com
Paul Windridge is a video artist, short film and music maker who explores what is perceived to be reality then presents it as something completely different.

After working on several narrative-based short films, he began to explore how the moving image complements music. These shorts are multi-layered, reality-distorted voyages - illusory displacements of time and place that are atmospheric and harmonious, but also fractious and chaotic at the same time. The inclusion of mirrored symmetry and kaleidoscopic abstractions also distort time and space, opening up the possibility of multi-dimensional filmic universes.

The ‘sublime’ also features, but not in the Classical sense. For him, the ‘sublime’ is taking a journey through a landscape then turning it into a new sensory experience that challenges our perception of what is real and what is not.

His work has been screened in Tate Britain, the Metropolitan Museum of Art New York, St Petersburg Festival of Arts, Paris, Leeds and Brussels Film Festivals, Britspotting in Berlin, Zurich & Stuttgart and many more.

the sirens dance

the sirens dance
click on the pic to watch "the sirens dance"

Bob Cotton

Bob Cotton
click on the image to visit Bob Cotton's site
Bob Cotton is a writer, designer and creative director with an ongoing interest in the future and the back-story of new media - the various strands of media-arts-technology innovation that have become our 21st century media-scape. In 2010 he made ZeitEYE, a short-film that records 11 decades of media-innovation in a rapid montage 11 minutes long.

He was recently Digital Media Research Fellow at London College of Communication, (University of the Arts), and is currently Senior Lecturer in Digital Media at the Arts University College at Bournemouth. He is the author of several books including Understanding Hypermedia (Phaidon 1993), The Cyberspace Lexicon (Phaidon 1994), and Futurecasting Digital Media (Pearson 2002).

In the late 1990s Bob was a judge on the first D&AD interactive media awards, the first BAFTA interactive media awards and a judge on the US I.D. Design magazine awards. He worked for one year (1995), with Nickelodeon Television, developing an interactive-media strategy with Jon Miller.

zeitEYE

zeitEYE
click the pic to watch "zeitEYE"
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